Gender

Human Sexuality and Disability

From this study it is clear that social control over sexuality, bound up with control over birthrate and morality, becomes a fundamental class and race marker, or just a kind of measure of normality. It should be mentioned that sexuality of individuals with disabilities is mostly taken as taboo and avoided giving publicity, as well as gender identity is often represented as disabled, e. d. problematic. The most ordinary example of the fact that society rejects sexual identity of people with disabilities is symbols on the rest-room doors.

This paper stresses that&nbsp.nevertheless on dealing with pure sexuality one may notice that disability in the first instance threatens to masculine. The reason is that female gender identity is not contradictory to disabled people passivity.&nbsp. As for the disabled man it is clear that on drawing an analogy between himself and a popular culture ‘hero’ character, an active, successful, and well-knit men, he realizes a dissonance. In this case we get conflicting identities. This conflict gets to the center of attention of popular culture, appealing to disabled image. Tom Cruise’s character in the movie&nbsp. «The Men, Born on the Fourth of July» is a classical example of an individual with disability living in US. The white war-horse is heavily trying to get used to own disability, which is presented in the context of emasculation or sexual disability.&nbsp.All attempts to have some sexual life just face women’s jeers….
In the 1980’es the new ideology of ‘normalization’ came into existence, though eugenics continued to exist showing itself in fear and enmity. People having difficulties in learning have been usually treated as unable to play ‘usual’ (including sexual) roles.
As a matter of fact gender identity makes different possibilities for a man and for a woman. In spite of the fact the demographical data is characterized by predominance of aged disabled women, most of them even of young age are treated like useless from the point of view of fertility, that is to say for performance of traditionally women’s roles (Fine and Asch, 1988).
Nevertheless on dealing with pure sexuality one may notice that disability in the first instance threatens to masculine. The reason is that female gender identity is not contradictory to disabled people passivity. As for the disabled man it is clear that on drawing an analogy between himself and a popular culture ‘hero’ character, an active, successful, and well-knit men, he realizes a dissonance. In this case we get conflicting identities. This conflict gets to the center of attention of popular culture, appealing to disabled image. Tom Cruise’s character in the movie ‘The Men, Born on the Fourth of July’ is a classical example of an individual with disability living in US. The white war-horse is heavily trying to get used to own disability, which is presented in the context of emasculation or sexual disability (Shakespeare 1996: 194). All attempts to have some sexual life just face women’s jeers. But this disable man gets over the ‘lack of masculine’, and attains high social status and general acceptance. He returns his own activity, initiative, and control by participation in pacifist movement.

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