Technology

Discuss the differences between ‘world cinema’ and Hollywood cinema Explain why the term ‘world cinema’ has gained popularity in recent years

Economic status of the country is one of the major factors that influence the film text of a country’s cinema.
An example is the cinema of Vietnam. French trained Vietnamese director Tran Anh Hung, most of his cinematic context was inclined about the ongoing war in Vietnam (Johnson 2003). His movie titled Cyclo (1995) was set in the 90’s Vietnam, even it was a gangster movie, hints of war were still traced in the background (Ko, 1999).
In 1986, Vietnam’s economy plummeted. This greatly affected the filmmaking industry as they cannot respond anymore to the need of cinematic development prevailed during the 80’up to the 90’s, started by the Hollywood cinema.
The text expressed in Cyclo was very rich and realistically executed as the film portrayed the destituteness of the citizens in the country (Johnson 2003). It was played and recognized in many countries.
The movie Ang Pagdadalaga ni Maximo Oliveros (2005) (The Blossoming in Womanhood of Maximo Oliveros) is from the Philippine cinema. The film garnered handful of recognition and awards from various independent film award-giving bodies of different countries.
The movie is a dimensional portrayal of the Philippines’ condition in allusion. The hero is a homosexual boy that is set to bloom in womanhood, whereas he supposed to get developed in manhood. The discrepancy is suggestive in the very title of the movie about the contrariety of the development of the country regarding poverty and hunger (Thomas 2006).
The expected development of the country towards rise of its economy was never portrayed, but the citizens were depicted already adjusted with its economic condition as though being softened, as juxtapose of the main character’s nature. Using a homosexual for main character gives a new perspective yet more precise of depicting the country in its economic slum, and the effect of its modernization to the people (Thomas 2006).
Cinema of Morocco produced a film titled Jawhara. The movie was noted internationally and has been reviewed online by various critics. Hachim Raji of Babel Med, an independent multi-cultural website for journalists in Mediterranean, stated that Jawhara is movie that was "practically the first film to tackle the dark period of the lead years in Morocco".
The film was about a little girl borne and raised inside a prison cell all through out her mother’s incarceration term. The cruelty of the country’s former administration was strongly depicted in the movie, but delivered presently as reflection of the current administration of its any possible stir (Raji 2007).
By the depiction of the situations in the very movie you can easily tell how Morocco as a nation is. Police brutality and suppressed human rights reflects the economic status of the country (Raji 2007).
Technological equipment in making film of a nation can also affect the film and define the country’s technological development as well. Other country can afford to use more advance technology in making their film, even the very theatrical venue of representation of the film.
Hollywood can provide a film that is polished by computer technologies in graphics and animation-required text. Hollywood legendary films like the saga of Star Wars by George Lucas, and Extra Terrestrial of Steven Spielberg

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